bluegrass

The Osborne Brothers: A Familial Bluegrass

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Siblings, often times, possess an innate ability to guess at what one another are up to. That obviously translates well into a musical setting. And because of that there are a great many familial groups that have graced records over time – and no, the Partridge Family doesn’t count, the Cowsills do.

Either way, bluegrass and country music, since it’s based on tradition and what not, is as a good a ground for family get-togethers as any other genre. And seeing as the Carter Family is and will remain a towering remainder of where the music is coming from, it’s appropriate that the Osborne Brothers sought to continue on with that legacy – with a few slight innovations. Read more

Larry Rice: A Familial Bluegrass

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Being a part of a family with tremendously deep musical talent occasionally relegates a performer to second tier status. That was the case with Larry Rice, who while a first rate mandolin player, never achieved the same kind of name recognition as his brother, the guitarist Tony Rice. Read more

The Dillards - An (Endless) Family Tradition

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It’s been alternately figured that the Dillards, the Byrds or the Flying Burrito Brothers are the founding fathers of country rock. It’s a silly and useless debate to become engaged in. But whereas those two latter groups always functioned, to a certain extent, as rock groups, the Dillards began in Missouri as a straight bluegrass band replete with vocal harmonies and the like.

The band’s decision to head west and give the music thing a go in California, though, changed the trajectory of not just the Dillards’ career, but the folks that comprised the Byrds and the Burrito Brothers. Read more

J.D. Crowe: Somehow Tonight

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Folks are generally surprised when I tell ‘em that bluegrass is one of my favorite things to listen to – specifically in the summer, but anytime’s good. I’m not usually prompted for examples of who I toss on all too frequently, but new grass stuff makes up a good portion of my listening habits. There’s obviously nothing wrong with more traditional fair, but the explosive musicality that can overwhelm listeners at the turn of any corner during a well conceived bluegrass track makes the genre (or sub-genre) as exciting as anything electrified. Read more

David Grisman x Andy Statman

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Bluegrass, even in its hipper incarnation as newgrass, is generally perceived to be the stomping grounds for goyim (look it up). But with the pairing of David Grisman and Andy Statman, perhaps that notion about the genre should change. Of course, each of those players, prior to working together, had put in time in a variety of relatively influential groups dealing in Americana in one way or another (I dunno if the Grateful Dead count. Maybe). But each one of these men have such a broad interest in performance, instrumentation and music in general, that the dueling mandolin extravaganza that could have resulted, comes in as an experimental look at the instrument and what it’s capable of doing. Read more

Dawg Music: David Grisman

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DawgsDawgsPlaying in every important ensemble related to Americana at some point over the last fifty years has made David Grisman owner of a pretty intimidating discography. His earliest recorded moments with the Even Dozen Jug Band counted as an introduction the music biz. But soon, Grisman found his way into the Kentuckians, making his name as a soloist, but equally adept at rhythmic derivations for bluegrass settings.

In that, Grisman came to fully realize his musical intent. And to incorporate jazz improvisation and soloing into the already technically challenging genre of bluegrass would make his life mission pretty clear by the dawning of the '70s. Read more

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